Theopolitical Authorization: Óscar Romero, Far-Right Christianity, and a Contest for the Soul of the Americas

burnt photo of oscar romero

Kevin Coleman
University of Toronto

Date: Wednesday, February 18, 2026
Time: 3 - 5:30pm
Location: Boisi Center, 24 Quincy Road, Conference Room  

RSVP's Recommended 

Co-sponsored with The Institute for the Liberal Arts, The Jesuit Institute, and the Morrissey College of Arts and Sciences Dean's Office

This talk examines the assassination of Archbishop Óscar Romero and the subsequent contestation over his legacy as manifestations of a transnational theological and political struggle in and beyond Cold War El Salvador. Drawing on previously unexamined beatification documents, particularly the Positio Super Martyrio, Coleman will reconstruct how conservative forces constructed theological justifications that portrayed Romero as a communist dupe rather than as an authentic religious authority. He will introduce the concept of theopolitical doppelgängers to explain the mirroring through which Christian nationalists created permission structures for violence.

Kevin Coleman

Kevin Coleman is an associate professor of history at the University of Toronto. A historian of capitalism, photography, and political conflict in modern Latin America, he is the author of A Camera in the Garden of Eden (2016) and co-editor of Capitalism and the Camera (2021) and Coups d’état in Cold War Latin America (2025). He wrote and directed Stolen Photo (Señal Colombia, 2024), a documentary exploring the 1928 massacre of banana workers in Colombia. His research has been awarded prizes from the American Historical Association and supported by the ACLS/Mellon Foundation and the Social Sciences and Humanities Research Council.

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