Global Warming: Crucial Issue Explored
THE McMULLEN MUSEUM OF ART AT BOSTON COLLEGE PRESENTS EXCLUSIVE EXHIBITION:
Indian Ocean Current: Six Artistic Narratives
On Display January 27–May 31, 2020
Features Contemporary Artists with Ties to Region
CHESTNUT HILL, MA (December 2019) — The McMullen Museum of Art at Boston College will present Indian Ocean Current: Six Artistic Narratives, which sheds light on the complex and crucial issue of climate change, focusing on the Indian Ocean region, where temperature changes have led to extreme weather events. On display from January 27 through May 31, 2020 in the Daley Family and Monan Galleries, it features leading artists Shiraz Bayjoo, Shilpa Gupta, Nicholas Hlobo, Wangechi Mutu, Penny Siopis, and Hajra Waheed whose works are defined by their deep ties to the lands surrounding the Indian Ocean.
This exclusive exhibition—which comprises videos, collages, paintings, sculptures, interactive installations, and photographs—explores the contemporary legacy of the long movement of people, things, and ideas across the Indian Ocean, according to organizers. The open and plural societies of the Indian Ocean world came under threat from the mid-twentieth century when decolonization created new nation-states that were divided, at times, by hastily erected borders. Today, these borders are losing their meanings as the Indian Ocean’s waters rise; global warming does not respect human-made divisions.
“The McMullen is pleased to present six leading contemporary artists from lands bordering the Indian Ocean,” said Inaugural Robert L. and Judith T. Winston Director of the McMullen Museum of Art Nancy Netzer, a BC professor of art history. “Each probes different aspects of the ocean’s rising waters due to global warming and their resulting consequences for the migration of peoples inhabiting the region. The Museum hopes that this exhibition will bring greater awareness to the complex problems facing the Indian Ocean world and, through accompanying programs with scientists, humanists, and social scientists, invites its audience to engage in dialogue about one of the most pressing issues of our contemporary moment.”
[MEDIA NOTE: A selection of press images/captions is available. Please email Kate Shugert with questions.]
“The Indian Ocean is one of the world’s great waterways and humans have crossed it for thousands of years,” said exhibition co-curator and BC Professor of History Prasannan Parthasarathi. “Presenting the work of six artists with close ties to the region, Indian Ocean Current explores pressing issues such as the legacy of the long movement of peoples, the impact of nations and borders on this plural world, and the future of that world as the ocean’s waters rise with global warming.”
Indian Ocean Current: Six Artistic Narratives
Though the rich history of the Indian Ocean has been much explored, its present-day manifestations remain less studied. Indian Ocean Current probes complex and vexing questions such as: How do we make sense of the great mixing of peoples in the Indian Ocean world? How do we conceive of the water that links distant shores? How do we address the borders that now divide spaces that for so long were undivided? What do the rising waters resulting from global warming portend for the future of the Indian Ocean and the inhabitants of its bordering lands?
In the exhibition, artistic narratives are in conversation with the findings of scientists as animations, maps, films, and interviews illuminate the unusual geology of the Indian Ocean and the myriad, catastrophic effects of climate change in that region and across the globe. Included are more than eighty works by Bayjoo, Gupta, Hlobo, Mutu, Siopis, and Waheed loaned by the artists, private collectors, Museum Voorlinden, Wassenaar, and Ed Cross Fine Art, Galleria Continua, Lehmann Maupin, and Stevenson Cape Town.
Included in the exhibition’s climatological sections are: a film on the Mauritian fishing industry, Vey nou Lagon; an animation on the formation of the Indian Ocean basin; interviews with scientists from Massachusetts’s Woods Hole Oceanographic Institution; climatological maps and animations featuring a background to understanding global warming in the Indian Ocean; and an interactive display for visitors to explore the effects of rising waters internationally.
The acclaimed contemporary artists showcased in Indian Ocean Current have been widely exhibited.
Shiraz Bayjoo (b. 1979) is a Mauritian artist based between London and Mauritius, whose multidisciplinary practice of video, painting, photography, and sculpture employs archival photographs and artifacts to explore the social, political, and historical conditions integral to Mauritian cultural identity and the wider Indian Ocean region.
Shilpa Gupta (b. 1976) lives and works in Mumbai where she studied sculpture. Her work has been exhibited internationally, including at the Berlin, Havana, Kochi-Muziris, Liverpool, Sharjah, and Venice biennials.
Nicholas Hlobo (b. 1975) was born in Cape Town and works in Johannesburg, where he creates two- and three-dimensional hybrid objects from ribbon, leather, wood, and rubber detritus. His commentary on the democratic realities of South Africa and concerns with the changing international discourse of art remain at the core of his practice.
Wangechi Mutu (b. 1972) was born in Nairobi. In her paintings, collages, films, performances, and sculptures she dissects, reconstitutes, and recontextualizes images to construct new ways of looking at what we have already seen, or highlights what we have never perceived. Her work has been the subject of numerous solo shows.
Penny Siopis (b. 1953) is honorary professor at the University of Cape Town, where she lives, and works in painting, installation, and film/video. In addition to numerous solo exhibitions, she has participated in the Gwangju, Havana, Johannesburg, Sydney, Taipei, and Venice biennials.
Hajra Waheed (b. 1980) was born in Calgary and lives and works in Montréal. Her multidisciplinary practice ranges from interactive installations to collage, video, sound, and sculpture, and explores the nexus between security, surveillance, and the covert networks of power that structure lives, while addressing the traumas and alienation of displaced subjects affected by legacies of colonial and state violence. Her work is in the permanent collections of prominent museums.
Exhibition Catalogue, Curators, and Organizers
Parthasarathi edited the exhibition catalogue. With essays by experts in environmental studies, postcolonial studies, literature, and history, it brings multiple lenses to bear on the work of the six featured artists and the complicated histories of the Indian Ocean world. Through a variety of mediums and forms, these artists grapple with the past, present, and future of the Indian Ocean. Contributors trace the connections that spanned the Indian Ocean, the movement of peoples, and the evolution of plural societies. Indian Ocean Current opens up an artistic, historical, cultural, and political conversation about an area of the world famed for its cosmopolitanism but threatened by nationalism and global warming.
Organized by the McMullen Museum of Art, Indian Ocean Current: Six Artistic Narratives has been underwritten by Boston College with major support from the Patrons of the McMullen Museum and Liliane and Christian Haub in honor of Marie-Liliane ’13, Maximilian ’14, and Constantin ’17 Haub.
Co-curators: Salim Currimjee is an architect and artist based in Mauritius and works in the Indian Ocean region. In 2015 he founded the Institute of Contemporary Art Indian Ocean, an independent, nonprofit foundation that is a platform for art education and public art programming in Mauritius. It honors the cultural diversity of the country and seeks to activate critical thinking and dialogue through the arts of the region. Prasannan Parthasarathi is professor of South Asian history at BC. He is the author of The Transition to a Colonial Economy: Weavers, Merchants and Kings in South India, 1720–180, The Spinning World: A Global History of Cotton Textiles, and Why Europe Grew Rich and Asia Did Not: Global Economic Divergence, 1600–1850, which received the Jerry Bentley Book Prize of the World History Association and was named a Choice magazine outstanding academic title. He is working on a study of agriculture and the environment in nineteenth-century South India.
Accompanying Free, Public Events
Public programming is planned for families and the general public. For more information, and to sign up for those events that require advance registration (as indicated below), please visit the McMullen Museum Events Calendar. More events will be added leading up to this exhibition; visit the website and subscribe to the McMullen mailing list for programming updates.
Lunar New Year Celebration: Saturday, February 1, noon–4 p.m.
This annual celebration, with BC student associations, features a lion dance, New Year’s food from various countries, and opportunities to make New Year’s decorations.
Free Sunday Docent Tours: 2–3 p.m. (Meet in Museum Atrium)
Every Sunday beginning on February 9, the Museum will offer free docent tours from 2 to 3 p.m. No prior registration is required. To schedule a separate, private tour, please contact the Museum, at 617.552.8587, at least two weeks in advance.
Related Lecture: BC Lowell Humanities Series: Amitav Ghosh: “Embattled Earth: Commodities, Conflict and Climate Change in the Indian Ocean.” Wednesday, February 12,
7–9 p.m., Gasson Hall, Room 101. For more details on the speaker visit www.bc.edu/lowellhs
Walk + Talk with the Curator of Indian Ocean Current: Six Artistic Narratives
Friday, February 21, noon–1 p.m. Prior registration is required.
Join co-curator BC Professor of History Prasannan Parthasarathi for an informal tour and Q+A session. He will introduce major exhibition themes and offer details and anecdotes on how the show came together. Visitors are welcome to ask questions along the way.
Kids and Families Workshops
The McMullen offers young children and their families opportunities to engage with its temporary exhibitions. Through a variety of activities, including storytelling, tours, games, music, and hands-on lessons, the Museum invites children to explore themes within the works on display. The workshops are free and open to the public; prior registration is required. Workshops, which meet in the Museum Atrium, will be held from 2–4 p.m. on Saturday, March 14 and Saturday, May 9.
Into the Collection
These events offer visitors an opportunity to view and learn more about objects from the McMullen’s permanent collection that are rarely on display. They may learn from Museum staff, ask questions, and share their own knowledge and observations. Events include:
Maritime Works: Sunday, March 22, 3:30–4:30 p.m. Assistant Director Diana Larsen, with the Museum’s Student Ambassadors, will present on maritime paintings from the nineteenth and twentieth centuries.
New Ceramic Acquisitions: Sunday, May 3, 3:30–4:30 p.m. Larsen and Student Ambassadors will present on new acquisitions of ceramics.
“Eco-Optics: Climate Change & Visual Culture” Undergraduate Conference: Friday, March 27, 12:30–5:30 p.m. In conjunction with Indian Ocean Current: Six Artistic Narratives, the McMullen Museum of Art with the Department of Art, Art History, and Film at Boston College, has organized a conference promoting new scholarship by undergraduate students from Boston College and beyond. Robin Kelsey, Harvard Dean of Arts and Humanities and Shirley Carter Burden Professor of Photography, will give the keynote lecture.
Related Conference: “Rethinking Twentieth-Century South Asia: From Colonialism to Global Giant,” Friday and Saturday, April 3–4, McGuinn Hall, Boston College
Organized by exhibition co-curator Prasannan Parthasarathi, “Rethinking Twentieth-Century South Asia” examines the nations of India, Pakistan, and Bangladesh—which represent nearly a quarter of the world’s population—by bringing leading scholars to BC to investigate the complex pasts and presents of the region. Historians, anthropologists, and social, political, and cultural scientists will provide a multidisciplinary discourse on pressing issues in the region, including religious violence, secessionist movements, and economic deprivation through a number of themes: political contestations, transformations in daily life, growing challenges, and new futures.
McMullen Museum Spring Celebration: Sunday, April 5, 1–5 p.m.
Basket Decorating at 1 p.m.; Egg Hunt at 1:45 p.m. Prior registration is required to participate in basket making and egg hunt.
In celebration of spring, the McMullen offers visitors children’s programming, music, artmaking, storytelling, guided tours of the exhibition, and corresponding activities.
Members-Only Crash Course in the History of Video Art with Georgie Friedman
Sunday, March 29, 3:30–4:30 p.m.
A benefit of McMullen membership is exclusive opportunities to take crash courses in art history with BC professors. For this event, interdisciplinary media artist Georgie Friedman, a part-time BC professor of video art, video installation, and time-based media, will offer a course in the history of video art. Seats are limited; prior registration is required. [BC faculty, staff, and students are all automatic Museum members.]
McMullen Museum of Art
The McMullen Museum aims to cultivate learning, celebrate artistic excellence, explore the visual traditions of diverse cultures, and inspire transdisciplinary faculty and student research based on the visual arts. The McMullen offers exhibition-related programs and resources for diverse audiences of all ages on campus, in the Greater Boston area, and beyond.
The Museum mounts exhibitions of international scholarly importance from all periods and cultures of the history of art. In keeping with the University’s central teaching mission, exhibitions are accompanied by academic catalogues and related public programs. The McMullen Museum of Art was named in 1996 for the late BC benefactor, trustee, and art collector John J. McMullen and his wife Jacqueline McMullen. In 2005, the McMullen Family Foundation provided a lead gift to renovate and build an addition to the Museum’s new venue at 2101 Commonwealth Avenue. Designed in 1927 in the Roman Renaissance Revival style by architects Maginnis and Walsh, it originally served as the home of Boston’s cardinal archbishops. The renovation was completed in spring 2016 and opened to the public on September 12, 2016.
McMullen Museum Hours and Tours
Admission is free; wheelchair accessible, open to the public. Located at 2101 Commonwealth Avenue, Boston, MA 02135, on BC’s 65-acre Brighton Campus. Hours during this exhibition: Monday–Wednesday and Friday, 10 a.m. to 5 p.m.; Thursday, 10 a.m. to 8 p.m.; Saturday and Sunday, noon to 5 p.m. The Museum will be closed: April 10, April 12, April 20, and May 25, 2020. Contact: email@example.com, 617.552.8587. All events are free. For directions, parking, and program information, visit www.bc.edu/artmuseum.