theatre department/robsham theater arts center production
Director: Patricia Riggin
Stage Manager: Grace Fucci '17
Set Designer: Cristina Todesco
Costume Designer: Jackie Dalley
Lighting Designer: Jeff Adelberg
Sound Designer: David Remedios
April 23 at 7:30 p.m.
April 24 at 7:30 p.m.
April 25 at 7:30 p.m.
April 26 at 2:00 p.m.
Students: $10 (w/valid ID)
BC Faculty/Staff: $10 (one ticket per ID)
Auditions will be held Friday, January 23rd and Saturday, January 24th. Callbacks will take place Monday, January 26th. On Sunday afternoon, a callback list will be sent out to those who auditioned and also posted in the back hallway of the Robsham Theater.
A sign-up sheet for the preliminary auditions will be posted in the back hallway of Robsham Theater on Monday, January 12th. Audition forms will be available to fill in prior to auditions. Bring a resumé, if you have one, and a headshot or picture of yourself so that we can put names to faces!
Please Note: If you cannot make or need to change your audition slot, please cross your name off the list well in advance and/or contact the stage manager.
Please prepare two monologues: one modern and one from Shakespeare’s canon. You are welcome to use pieces from The Tempest but it is not required. The two pieces should be no longer than 4 minutes combined, less than 4 minutes is fine. If you are a singer, please prepare 16 bars of a ballad that will be sung unaccompanied. Please arrive 10 minutes before your audition time slot to fill out audition forms and expedite the audition process. It is recommended that you familiarize yourself with the play.
The Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone. It is set on a remote island, where Prospero, the rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skillful manipulation. He conjures up a storm, the eponymous tempest, to lure his usurping brother Antonio and the complicit King Alonso of Naples to the island. There, his machinations bring about the revelation of Antonio's lowly nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand.