Dr. John H. Houchin
African American Theatre & Drama
History of Theatre I & II
John received his MFA in Directing and Ph.D. in Performance History from New York University and has taught and directed in New York, Texas, Georgia and Massachusetts.
In 2014, he directed For Colored Girls Who Have Considered Suicide When the Rainbow Was Enuf which played for six sold-out audiences. He staged Uncle Vanya by Anton Chekhov for the Classical Theatre Company in Houston, Texas in 2012. Recently, he directed The Arabian Nights (2113) and Doubt (2012) for BC. His directing resume is long and varied. It includes ten-minute plays for the Boston Theatre Marathon and Playwrights Platform and staged readings of several new plays in Boston. Along with his wife, choreographer Pam Newton, he created Dreaming Shakespeare, a devised performance piece based on Shakespeare’s plays and sonnets. He has directed an array of comedies such as Tartuffe, Hotel Paradiso, Stage Door and We Won’t Pay, We Won’t Pay as well as experimental plays such and Our Country’s Good and On the Verge. He is currently directing Song from the Moon, a dance/performance piece to be presented this September. This season at BC he is directing Euripides’ The Trojan Women.
John recently published “Robert Macbeth, the New Lafayette Theatre and the Politics of art in the 1960’s” in the New England Theatre Journal. He is also the author of Theatrical Censorship in the United States in the Twentieth Century (Cambridge University Press, 2003) and editor of The Critical Response to Eugene O’Neill (Greenwood Press, 1993). He compiled “Black Broadway,” a database detailing the contributions of African Americans to Broadway theatre. His articles and complete resume are available at www.johnhouchin.com.