| Current Issue Volume 13 Number 3 Visualizing a Colonial Peruvian Community in the Eighteenth-Century Paintings of Our Lady of Cocharcas Exodus Inverted: A New Look at The Grapes of Wrath On the Spirituality of Questioning: James Lee Byars's The White Mass (1995) at the Kunst-Station Sankt Peter Cologne | ||
| Previous Issue Volume 13 Number 2 "Who Would Believe That We Have Heard?": Christian Spirituality and Images from the Passion in Religious Art of New Spain Appolinaire's "Zone," Catholicism, and the Paradox of French Icons' Spirited Love | ||
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Previous Issue Volume 13 Number 1 Three Women Writers and the "Jesuit Sublime": Or, Jesuits in Love From Stabat Pater to Prophetic Virgin: Harriet Beecher Stowe's Recovery of the Madonna-Figure | |
