Journal Issues and Contents
religion and the arts
"Gustavo Gutiérrez Meets Giuseppe Verdi: The Beauty of Liberation and the Liberation of Beauty"
"The Banished God: Concerning Faith and Doubt in Lohengrin"
"Die Sieger and Die Wibelungen: How Parsifal is the Fifth Opera of Wagner's Ring"
"Das 'Ewige Kunstwerk': Friedrich Nietzsche's Apollonian-Dionysian Opposition in Richard Strauss's Daphne"
"Significations of Religious Desire in Louise Talma's The Alcestiad"
"Introduction: Special Section on Contemporary Art and Religion"
"A Post-Metaphysical Turn: Contingency and Givenness in the Early Work of Dan Flavin (1959-1964)"
"'To See the World in a Grain of Sand': Wolfgang Laib and the Aesthetics of Interpenetrability"
"A Nuclear Rapture: The Apocalyptic Art of Kenny Scharf"
"León Ferrari's Hell"
(end of special section)
"'Christianity and Mountainanity': The Restoration Movement's Influence on John Muir"
"A Congeries of Lichee Nuts for America: Chinese Religion in Edgar Lee Masters's New York Chinatown Poetry Collection"
"Real Living Painting: Quasi-Objects and Dividuation in the Byzantine World"
"Absolute Art:Nicolas of Cusa's De Visione Dei"
"Islamic Images of Isa/Jesus in the Chester Beatty Manuscript Collection: Visual Art as Framework for Comparative Christology"
Reexamining the Allegorical Hermeneutic in A.B. Yehoshua's A Late Divorce"
Reflections from the Bottom of a Brillo Box: A Theological Inquiry into the End(s) of Art"
"The Devil, the Violin, and Paganini: The Myth of the Violin as Satan's Instrument"
"From Judah to Jamaica: The Psalms in Rastafari Reggae"
"Listening for 'The Silence of the Night': Reading Kevin Hart's 'The Voice of Brisbane'"
"Shortly They Will Play Me in What Forms They List Upon the Stage": Hamlet, Conscience, and the Earl of Essex"
"Meditation and Atonement in the Art of Marc Chagall"
"Rivalry, Retribution, and Religion: The Art of Paul Pfeiffer"The Possibilty of Theomusicology: William Bradbury's Esther, the Beautiful Queen
The Possibilty of Theomusicology: William Bradbury's Esther, the Beautiful Queen
William Holman Hunt: Layered Belief in the Art of a Pre-Raphelite Realist
"Where are We Really Going? Always Home": Thomas Merton and Herman Hesse"