Index: | Features of the Program | History of Film Studies at B.C. | Faculty | Film Studies News | O'Neill Library Media Center | Films of John Michalczyk | Films of Pamela Berger | Jacques Salmanowitz Program |
The Film Studies Program has arisen out of a need and desire to assist students in developing critical and technical skills in the area of film. Video, photography, and television also play a supportive role in the development of these skills. As a part of the Film Studies Program a student can pursue any of the electives dealing with the above aspects of communications.
The Educational Policy Committee of Boston College approved a new major in Film Studies in 1999. There is also a very active film studies minor.
Students interested in the Film Studies Major or Film Minor can contact:
Prof. John Michalczyk
Chair, Fine Arts Department &
Director, Film Studies
Devlin Hall 434
552-3895
Research-based studies in American and world cinema explore the
mutual influence of the films and their respective diverse cultures
and historic periods. Familiarity with several of the great films and
filmmakers provides a basis for understanding the relationship
between contemporary artists and industrial society. Each student
will have an opportunity to apply this theoretical knowledge to the
experience of film making and exhibition both through programs in
scripting, photography, production and digital editing and through
an extensive internship program in the Boston area.
Students are encouraged to widen and deepen their understanding
of the medium through additional courses in Art History, Studio
Art, Theater and Communication. While this Film Studies Major
provides a solid foundation for further studies and professional
involvement in the industry, it also offers the liberal arts student
a
broad-based preparation for other career options.
The Film Studies Major requires 12 courses, 8 of which must be
above the 200 level.
FA 202 Introduction to Film Art
A required foundation course designed to ground
the student
in film language, history, and criticism
FA 181 History of European Film
A study of six European movements, most of
which have
parallels in art movements: German Expressionism,
Russian
Constructionism, Italian Neo-Realism, French
New Wave,
British Free Cinema, Swedish
2 American Film History Courses
Two (2) required
FA 281 History
of American Film (II)
FA 292 History
of American Film (III)
FA 389 Three
American Directors: Specific chronological
history courses,
genre studies, or directors series which
focus on American
film.
FA 482 Film Criticism (and Theory):
A combination of modes of scholarship relating
to other
academic disciplines (literature, sociology,
history, art, etc.)
with a strong emphasis on clarity of written
expression.
Photography Component
One (1) required
FS 161 Photography
I
FS 167 Documentary
Photography: The study of the
visual image
at the basis of the film experience.
Photography
and cinema are the focus of the course as
they come together
historically and at the present time.
FS 171 Filmmaking I
Reinforces film language and history but with
an an emphasis
on creativity.
Three (3) Electives--200 (1) and 300 or 400
(2) level.
Courses offered in the department in addition
to those listed
above include:
FA 182 Documentary
Film
FA 280 History
of American Cinema I
FA 281 History
of American Cinema II
FA 282 Political
Fiction Film
FA 284 Eastern
European Film
FA 288 French
Literary Filmmakers
FA 289 French
Cinema
FA 292 History
of American Cinema III
FA 380 Latin
American Cinema
FA 381 Propaganda
Film
FA 382 Women
& Film
FA 386 Italian
Cinema
FA 388 Costa-Garvas
Courses in Non-Linear
Editing, Filmmaking II, and
Photography
II are highly encouraged to supplement the
Major.
Junior/Senior Year:
FA 384 History
and Art History into Film and/or
FA 182 Documentary
Film (primarily historical) are
oriented toward
research in preparation for the Senior
Research Project.
Senior Seminar
A seminar that serves as a basis for and accompanies
the
student research project. An advisor will
determine if the
student is prepared to undertake the specific
written thesis.
Since film is a humanistic discipline, the students are also
encouraged to take the supplementary courses in history, political
science, literature, music, and theater.