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1995 |
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Memory and the Middle Ages
February 17–May 23,1995 |
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Protection, Power and Display: Shields of
Island Southeast Asia and Melanesia
October 6–December 10, 1995 |
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1996 |
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America's Eye: Irish Paintings from the
collection of Brian P. Burns
January 26–May 19, 1996 |
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A Shadow Born of Earth: New Photography
in Mexico
June
5–September 15, 1996 |
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J. M. W. Turner and the Romantic Vision
of the Holy Land and the Bible
October 8–December 15, 1996 |
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1997 |
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Original Visions: Shifting the Paradigm,
Women's Art 1970-1996
January 26–May 18, 1997 |
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In Print: Contemporary Artists at the Vinalhaven
Press
June 18–September 14, 1997 |
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Re/Dressing Cathleen: Contemporary Works
from Irish Women Artists
October 5–December 7, 1997 |
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1998 |
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Visionary States: Surrealist Prints from
The Gilbert Kaplan Collection
January 18–May 17, 1998 |
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Art and Literature
June 23–September 20, 1998 |
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Imaging Meiji: Emperor and Era, 1868-1912,
Japanese Woodblock Prints from
the Collection of Jean S. and Frederic A. Sharf
October 4–December 6, 1998
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1999 |
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Saints and Sinners: Caravaggio and the Baroque
Image
February 1–May 24, 1999 |
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Artists at Boston College: Celebrating
25 Years of Excellence in the Visual Arts
June 16–September 12, 1999 |
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Irish Art Now: From the Poetic to the
Political
October 1–December 12, 1999 |
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2000 |
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Fragmented Devotion: Medieval Objects
from the Schnütgen Museum, Cologne
February 6–May 22, 2000 |
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Françoise Gilot, 1940-1950
June 14–September 24, 2000 |
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Hand-Held Delight: The Eighteenth-Century
Fan
June 14–September 24, 2000 |
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North East: The Gothic and Byzantine
Influence on Early Italian Renaissance Art, from the Collection of the Mount
Holyoke College Museum
June 14–September 24, 2000 |
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Forbidden Art: The
Postwar Russian Avant-Garde
October 15–December 10, 2000 |
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2001 |
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Edvard Munch:
Psyche, Symbol and Expression
February 5–May 21, 2001 |
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House:
Charged Space
June 11–September 16, 2001 |
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Hope [Photographs]
September 30–December 9, 2001 |
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2002 |
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André Masson:
Inside Outside Surrealism
January 28–April 28, 2002 |
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In a Perfect World:
Bermuda in the Context of American Landscape Painting
May 16–September 15, 2002 |
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Reclaiming a Lost
Generation: German Self-Portraits from the Feldberg Collection
October 6–December 8, 2002 |
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Cowboys, Indians,
& the Big Picture
October 6–December 8, 2002 |
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2003 |
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Éire|Land
February 2–May 19, 2003 |
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Abyssinia, 1867-1868:
Artists on Campaign
June 11–September 7, 2003 |
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Common Ground:
Photographers in the Street
June 11–September 7, 2003 |
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Ancient Microworlds
June 11–September 7, 2003 |
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Reflections in Black: Art and Activism, African American Photographs from the Smithsonian Institution
September 26–December 7, 2003 |
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2004 |
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Matta: Making
the Invisible Visible
February 1–May 18, 2004 |
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Refigured
June 14–August 29, 2004 |
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Sarah Westlake
June 14–August 29, 2004 |
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Fernand Khnopff
September 19–December 5, 2004 |
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2005 |
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Accommodations
of Desire: Surrealist Works on Paper Collected by Julien Levy
January 15–March 24, 2005 |
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GONE: Site-specific
Works by Dorothy Cross
April 14–July 12, 2005 |
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TREE: A New
Vision of the American Forest
June 14–August 29, 2004 |
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The Power of
Conversation: Jewish Women and Their Salons
August 22–December 4, 2005 |
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2006 |
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Secular/Sacred:
11th- to 16th- Century Works
February 19-June 4, 2006 |
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Cosmophilia
September 1–December 31, 2006 |
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2007 |
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A New
Key: Modern Belgian Art from the Simon Collection
February 10-July 22, 2007 |
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Pollock
Matters
September 1-December 9, 2007 |
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